Raffi Kryszek, of PROTO Hologram, and myself before the panel at SDCC22. What a great time hosting a panel at Comic-Con in San Diego on Friday! A sizable crowd joined us for "From Scifi Imaginary to Tech Reality: The New Science of Holograms" — and, wow, did they ask superlative, knowledgeable questions! Panelists were myself and Raffi Kryszek, the principal hardware architect for the PROTO Hologram company in Los Angeles. (Tara Knight from Colorado U's Critical Media Studies program was unable to make it.) ![]() I finally got the chance to show off one of the only vintage comic books I possess: a 1978 one-off called Holo-Man, about a doctor zapped by high energy in a holographic matrix, which grants him superpowers (projecting illusions, time travel, invisibility). We parsed the various ways holograms have remained ubiquitous throughout science-fiction narratives, evolving the imaginary of digitally projected matter and characters. Then Raffi discussed the exciting work being done at PROTO to actualize that imaginary — creating life-size, photo-real 3D simulations of people through its unique "hologram" technologies. He even clued us into the next new model (desktop-sized!). Good stuff and good fun! Thanks to the Comic-Con folks for having us!
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UCSD’s theater dept. is mounting a production of “The Grapes of Wrath” this month — Frank Galati’s superlative stage adaptation of John Steinbeck’s landmark novel. Galati won a pair of Tonys after initially bringing this story to the stage at Chicago’s Steppenwolf Theatre Co., and my former colleague, theater critic Hedy Weiss, described the adaptation’s faithfulness to the source material as “not only uncompromising, but devoid of sentimentality, and that it is flawless in the way it sweeps us into the lives of the characters, and their time, without a wasted word or motion.” Hard to go wrong with source material this great.
Just a couple of weeks ago, I was hanging with the Joads myself. |
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I'm THOMAS CONNER, Ph.D. in Communication & STS, and a longtime culture journalist. Categories
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