“What year is this?” It was an extraordinary last line for a wide variety of reasons. Aside from those relevant to the narrative, it’s a question I hear asked often of pop cultural events. Like: “Nintendo is releasing a mini NES? What year is this?” “Billy Idol is opening for Morrissey? What year is this?” Even and maybe especially: “A new season of Twin Peaks? What year is this?” Sunday night’s anticipated finale of Twin Peaks: The Return capped an extraordinary run of television. That certain chunks of this 18-hour avant-garde odyssey are out there in the stream now — for everyday channel surfers to just stumble upon — blows my happy mind. This post is not a review of the show — there are plenty of good ones out there now — but just a quick knocking together of some thoughts about the series’ intriguing engagement with representational technologies and death. (And it does contain spoilers!)
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I'm THOMAS CONNER, Ph.D. in Communication & STS, and a longtime culture journalist. Categories
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June 2024
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