BY THOMAS CONNER
© Tulsa World I felt daring. I thought it would be a bold experiment. I figured that as a music journalist at the second hometown Hanson concert it was my duty to have the raw experience -- to hear the full and frenzied screaming of the crowd. So I took out my earplugs. Just for a second. Ow. Big mistake. Hanson is hardly old hat for Tulsans. Thursday night's sold-out concert of more than 8,000 breathless, hysterical fans filled the Mabee Center — often host to more serene worship services — with as much (if not more) yelping, gasping and general high-decibel swooning than the first Tulsa concert on July 8. The trio may sing "Where's the Love?" to its other teeming bunches across the continent, but the question is moot in front of the fawning hometown crowd. Those valued earplugs, though, are designed to screen out the noise and let in the music. No, wiseguy, those aren't one in the same. Even though the last thing on most young girls' minds is the music, the Hanson moptops churn out plenty of good and grooving sound. Whatever your opinion of the boys' bubblegum bop and girlish locks, no one can watch a Hanson concert without reaching the conclusion that these kids are really in it for the music. The frothing girls are a bonus by-product for now, the serenade is their greatest thrill. Ours, too. When the excitement of actually seeing the boys in the flesh boils down by midshow, everyone realizes what solid music they're hearing. The Hanson brothers were raised on classic R&B — much of which they cover throughout the show with respect if not always fire — and their performances are saturated in soul. Taylor's deepening voice allows him to pull off a fair Steve Winwood impression in the Spencer Davis Group's "Gimme Some Lovin' " though these young rascals miss the spark of the Young Rascals' "Good Lovin.' " They encored with a righteous take on a hometown standard, "Livin' on Tulsa Time." Also, in this show they added a cover of Steppenwolf's "Magic Carpet Ride," a smart choice musically even though they might not have gotten the sexual leer of it quite yet. As always, though, they shine brightest during their own material: the R&B-injected "Where's the Love," the momentous ballads "With You in Your Dreams" and "Weird" (the "Open Arms" of the '90s), and the intriguing new song "If You're Ever Lonely," a moody plea that sounds like Ace-era Paul Carrack. Once again, the mid-show acoustic set was the brightest moment of the concert, allowing them to show off their oft-doubted instrumental chops and unbeatable harmonies. The vocalizing in "Soldier" is breathtaking; if only it wasn't a throw-away lyric about toys. Still, when Isaac has his moment alone at the keyboards for "More Than Anything," his deft command of balladry, showmanship and a fairly arresting tune makes for a goose-pimply moment. Soon after, though, Zac is spraying the front rows with a water rifle, so we're brought back to reality. There's really little tomfoolery, though, and even less blatant teen-idol posturing. These guys always come to play music and nothing more, despite the diversionary fuss that follows them everywhere. They thank the crowd profusely and just crank out the songs — about 23 in a 100-minute show. Sure, we have to wear the earplugs today for the screaming girls, but one day the screams will die away and — yes, just like the Beatles — their musical legacy will be all that matters. But hang onto the plugs, for now. Hansonmania is likely going to be a long, strange trip. And don't forget, this concert is a double-bill of Tulsa talent. Admiral Twin opens the show, and though their Thursday night performance hinted at the exhaustion of the unending summer, they still packed a wallop and kept the throng on its feet. Bassist Mark Carr and guitarist John Russell work as a tag team, taking turns striking the rock star pose at the edge of stage right. Fortunately, they aren't just posing. Carr's focused bass and Russell's lively guitar propel the pop band with real force. The guys are still promising a forthcoming announcement of a possible label deal. Stay tuned. Comments are closed.
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Thomas Conner
These online "clips" reproduce a self-selection of my journalism (music etc) during the last 20+ years. It's a lotta stuff, but it only scratches the surface. I do not currently possess the time or resources to digitize the whole body of work. These posts are simply a bunch of pretty great days at the office. Archives
May 2014
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