BY THOMAS CONNER
© Tulsa World Sarah Lee Guthrie "Sarah Lee Guthrie" (Rising Son Records) Johnny Irion "Unity Lodge" (Rising Son Records) Pedigrees can be impediments. With so much riding on a famous family legacy, many genetically enhanced artists collapse under the weight of the expectations and hype. Sarah Lee Guthrie, daughter of Arlo and granddaughter of Woody, and her husband Johnny Irion, grandson of "Oklahoma!" star Fred Knight and grand-nephew of John Steinbeck, certainly have sturdy laurels upon which they could recline. Guthrie's surname alone would be a marquee draw, even if she stunk. But she doesn't stink. In fact, she's the most intriguing new female voice in Americana music since the discovery of Gillian Welch. Guthrie's self-titled debut — arriving after years of performing with her father, including two appearances at the Woody Guthrie Folk Festival in Okemah — moseys with an welcoming gait. Not another Emmylou Harris wanna-be is she, although this album smiles and moves with the same measured grace. No, Guthrie is an original talent, coloring outside the lines of the basic Americana patterns (dig the drunken Kurt Weill surf music of the instrumental "Tarantula," or the chuggin' blues of "World Turns in G") and sings strongly through the jangle and jazzy bluegrass. Her rounded notes sound like Linda Ronstadt in the '70s, her sustained verses like Nanci Griffith in the '80s. The Guthrie genes are gifted ones, no doubt. Irion's debut is somewhere between Neil Young's "Comes a Time" and "Old Ways" albums. The song "Think Tank," especially -- it's loping rhythm and mopey whining about "the city of angels" rings of all that southern California country-rock from similarly exiled and flighty Southerners, from the Byrds to the Eagles. Irion is a better player (esp. the dobro) than a singer -- which, of course, never slowed down Young — but the skinny-boy swagger of "Unity Lodge" will be satisfying to the men who can't get into Guthrie's music. Irion's easier to drink beer to, that's for certain, but Guthrie's the one destined to be the star, even without the family tree to support her. |
Thomas Conner
These online "clips" reproduce a self-selection of my journalism (music etc) during the last 20+ years. It's a lotta stuff, but it only scratches the surface. I do not currently possess the time or resources to digitize the whole body of work. These posts are simply a bunch of pretty great days at the office. Archives
May 2014
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