Conner, Thomas. 2015. "‘Our Unseen Friend’: Early Radio and the Tuning In of Woody Guthrie’s Performing Persona." Woody Guthrie Annual, 1 (1): 18-40.
Conner, Thomas and Steve Jones. 2014. "Art to Commerce: The Trajectory of Popular Music Criticism." IASPM@Journal (International Association for the Study of Popular Music), 4 (2).
Conner, Thomas. 2002. "Dear Reader: A Pop Critic Responds to the Day’s Mail." ARTicles, 7: 138-149.
Conner, Thomas and Sigrid Schmalzer. 2017. "Technology." In Alyssa Botelho, Daniel S. Chard & Sigrid Schmalzer (Eds.), Science for the People: Documents from America’s Movement of Radical Scientists, 1969-1989. Amherst: Univ. of Massachusetts Press (under contract).
Conner, Thomas. 2016. "Hatsune Miku, 2.0Pac and Beyond: Rewinding and Fast-forwarding the Virtual Pop Star." In Whiteley, S. & Rambarran, S. (Eds.), The Oxford Handbook of Music and Virtuality. New York & London: Oxford Univ. Press.
Conner, Thomas. 2007. "Getting Along: Woody Guthrie and Oklahoma’s Red Dirt Musicians." In Davis Joyce (Ed.), Alternative Oklahoma: Contrarian Views of the Sooner State (pp. 87-112). Norman, Okla.: Univ. of Okla. Press.
Conner, Thomas. 2016. Review of Feed-Forward: On the Future of Twenty-First-Century Media by Mark B.N. Hansen, JHistory, H-Net Reviews, December.
Conner, Thomas. 2014. Review of Writing the Record: The Village Voice and the Birth of Rock Criticism by Devon Powers, H-1960s; H-Net Reviews in the Humanities and Social Sciences, April.
Conner, Thomas. 2014. Review of How Does It Feel? Elvis Presley, the Beatles, Bob Dylan, and the Philosophy of Rock and Roll by Grant Maxwell, H-1960s; H-Net Reviews in the Humanities and Social Sciences, November.
Conner, Thomas, John Wooley, and Mark Brown. 1999. Forever Lounge: A Laid-Back Guide to the Languid Sounds of Lounge Music. Iola, Wisc.: Antique Trader Publications. (Read a chapter here)
— Other research
Conner, Thomas. 2001. “From Instinct to Intuition: Tracking Woody’s HD.” Paper and notes commissioned by the Woody Guthrie Archives and now part of its collection. (archives have moved; article link to be restored soon)
Nominated by UCSD communication and computer science faculty to attend (funded) the 2016 Human Computer Interaction Consortium conference, June 26-30, 2016, at Pajaro Dunes, Watsonville, Calif.
Research fellowship at the one-time conference/reunion of Science for the People, April 11-13, 2014, at UMass-Amherst. Assisted in collection of historical materials and research. Publication projects in process.
Conner, Thomas. 2017. "Holograms: Historical Ghosts in the Machines." Presented at the History of Science Graduate Student Seminar, Feb. 25, UCLA, Los Angeles.
Conner, Thomas. 2016. "'Our Unseen Friend’: Early Radio and the Tuning In of Woody Guthrie’s Performing Persona." Presented at the Woody Guthrie Symposium, April 30, The Univ. of Tulsa, Tulsa, Okla.
Conner, Thomas. 2015. "All Eyez on Me: Virtual Performers and New Media Memories." Presented at 2015 Cultural Studies Assoc. 13th annual Cultural Studies Conference, May 21-24, Riverside, Calif.
Conner, Thomas. 2014. "Hatsune Miku and the Design of the Virtual Pop Star." Presented at the 4S / ESOCITE Joint Meeting, Aug. 20-23, Buenos Aires, Argentina.
Conner, Thomas. 2014. "Virtual Pop Stars and the Digitization of Performance." Presented at Theorizing the Web 2014, April 25-26, New York City.
Conner, Thomas. 2013. "Hatsune Miku and the Design of the Virtual Pop Spectacle." Presented at 2013 Cultural Studies Assoc. 11th annual Cultural Studies Conference, May 23-26, Chicago.
Conner, Thomas. 2012. "An Unaccompanied Movement?: Listening for Protest Songs at Occupy Wall Street." Presented at the National Communication Association conference, Nov. 15-18, 2012, in Orlando, Fla.
Conner, Thomas. 2012. "Rei Toei Lives!: Hatsune Miku and the Design of the Virtual Pop Star." Presented at VisCom 26 (visual communication conference), June 20-24, 2012, in Midway, Utah.
Conner, Thomas. 2012. "Oklahoma's Red Dirt Music and Its Debt to Woody." Presented at the Woody at One Hundred: The Woody Guthrie Centennial Celebration, 1912-2012, March 10, 2012, at the Univ. of Tulsa (Okla.).
Public lectures & speaking
Conner, Thomas. 2015. Keynote address. Presented at the awarding of the inaugural Changing World Prize, Oct. 11, 2015, at the Woody Guthrie Center, Tulsa, Okla.
Conner, Thomas. 2012. "Woody@100: One Life, Many Legacies." Presented Oct. 19, 2012, at St. Xavier Univ., Chicago.
Laboratory of Comparative Human Cognition (LCHC)
— UC-San Diego, 2013-present
I've been a member of this lab and discussion group (founded by Mike Cole) since arriving at UCSD, and it was in the lab where I presented myself as a hologram simulation experiment in June 2013.
Radio Preservation Task Force
— Library of Congress, 2014-2015
Assisting in finding and networking archives of programming for this project, the goal of which is to locate and chronicle materials from local, regional, noncommercial, and uncategorized radio broadcasts.
Supervising professor: John McMurria, UC-San Diego
CCIT Lab: Creative and Collaborative Information Technology
— Univ. of Illinois-Chicago, 2012-2014
CCIT is an interdisciplinary group of researchers conducting surveys of workplaces to determine the extent to which social media applications are redefining roles and behaviors within the office environment. My contribution to this was considerable historical research on the impacts of technologies in the workplace.
Supervising professor: Steve Jones, UIC
— Electronic Visualization Laboratory (EVL) @ Univ. of Illinois-Chicago, 2012-2013
A project from a Human Augmentics class grew into a larger effort within the EVL: This group studied the effects of dilated audio (recordings slowed down without loss of pitch) on attention tasks, as well as created software that dilated two-way transmitted audio in real time. My contributions involved research of audio and attention, and the conducting of experiments with human subjects using test audio during attention tasks.
Supervising professors: Robert Kenyon and Jason Leigh, UIC; Valeriy Shafiro, Rush Univ. Hospital
Digital music and creativity
— Univ. of Illinois-Chicago, 2012
Research of scholarship and media to examine how advances in digital music technologies have affected not commercial output or consumer listening experience but the actual artistic process of creating music.
Supervising professor: Steve Jones, UIC
Ad hoc peer reviewer for New Media & Society, 2014-present.
Current Ph.D. student in Communication (Science Studies)
at the Univ. of California-San Diego
Adviser: David Serlin
— Target completion: 2018
M.A. in Communication
at the Univ. of Illinois-Chicago, 2013
Adviser: Steve Jones
— Thesis: "Rei Toei Lives!: Hatsune Miku and the Design of the Virtual Pop Star," December 2013
B.A. in Mass Communication
Univ. of Oklahoma, 1993
National Arts Journalism Program Fellow
— Columbia University, 2000 to 2001
Two graduate-level semesters in conjunction with a professional fellowship.
Researched at the Woody Guthrie Archives in New York City. Studied arts criticism issues and writing.
Pulliam Journalism Fellow
— The Arizona Republic, 1993
Studied newsroom organization and worked as a features writer at the newspaper for three months.
See my teaching statement, courses taught, guest lectures, and syllabi links here.
AR histories and effects
What we call a "hologram" was one thing after the science was developed following WWII, and then quite another after Princess Leia's robot-projected message in "Star Wars." But even before the coining of the term in the context of science, human culture had a lengthy history of producing technical effects that today would be described as "holographic," from Pepper's famous ghost — now revived for 21st-century spectacles — clear back to ancient oracles.
My research historicizes this media effect, which I call holopresence, and charts a genealogy of cultural conceptions of life and death through the creation of liminal technological image-objects. Recent digital spectacles such as the Tupac "hologram" (a digital resurrection) in the U.S. and the Vocaloid stars in Japan (one of whom contemplated her own mortality in a grandiose opera) span the breadth of this cultural project. Understanding the psycho-social implications of experiences with such spectral imagery will be crucial to the design and ultimate success of augmented-reality interfaces lining up for market, such as Microsoft's Room2Room and HoloLens systems.
My study follows discourses about holopresence through four sites: the production of performative ghosts at London's Royal Polytechnic Institution in the 19th century; the exhibition of artworks at New York's Museum of Holography in the late 20th century; the evolution of the interactive, embodied hologram concept as an imaginary medium in science fiction texts; and observation of user training and pedagogy of emerging AR systems.
keywords: augmented reality, cyberspace eversion, death studies, embodiment, hauntology, HCI, holography, performance, phenomenology, screenology, space, tele/presence, transhumanism, ubiquitous computing, VR, virtuality
& the social protest song
Building upon extensive research at the Woody Guthrie Archives and elsewhere, I continue to chronicle the life and legacy of the American folksinger — including a recent study of Woody's performing persona as developed within a parasocial relationship with his first radio audience — as well as the evolution of the protest song within decentralized 21st-century demonstrations. (Believe it or not, this does somehow jibe with my hologram studies above.)
keywords: folk music, identity, labor, Occupy Wall Street, parasocial interactions, performance studies, protest songs, Woody Guthrie, WTO protests
& media studies
A former full-time pop music critic, I also study the history and evolving functions of pop music criticism, including content analyses of rock journalism as well as examinations of everyday music-listening practice within cog-sci and uses-and-grats theories, especially music as a background activity in transmedia contexts.
keywords: attention, background music, cognitive science, criticism, journalism, Muzak, Pandora, pop music, Spotify, streaming, uses and gratifications